Kaye Tinga reveals her vision as the new president of the Cultural Center of the Philippines, her wish for Filipinos to fall in love with the arts, the transformative power of fashion, and the importance of supporting the next generation of talent.
Standing on the cusp – literally and figuratively – of change, Kaye Tinga poses in front of bright yellow scaffolding assembled incongruously amidst the stern brutalist structure of the Cultural Center of the Philippines (CCP). As the CCP’s new president, she is playing a vital role in the revitalization of the national institution for arts and culture, and is extremely excited to be doing so.
Amidst a massive renovation of this structure, designed by National Artist Leandro Locsin, a sense of possibility permeates the air. “Will start off by saying that the CCP is still very much alive,” Kaye tells Lifestyle Asia. “When we reopen our doors, the Filipino art audience can look forward to a state-of-the-art cultural hub, blending iconic architecture with modern amenities, and enhanced performance spaces that will elevate the experience and environment for Filipino artists to shine, and Filipino art audiences to enjoy.”
And while the physical transformation may take a few seasons, the cultural programs of the CCP are clearly thriving. With a steady stream of performances, its resident companies like Ballet Philippines or the Tanghalang Pilipino are hard at work and inspiring audiences at various venues around the country.
Being at the helm of this historic institution, Kaye is excited to share our rich traditions and is bolstered by her utmost confidence in the Filipino as a creative. “I believe Filipinos are natural artists and art appreciators,” she shares, proud that the CCP has always been at the forefront of promoting and preserving our arts and culture. “As the new president, I want to build upon this legacy by creating an environment where Filipino art and artists can truly flourish.”
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New Beginnings
Having officially been sworn in a few months prior, Kaye has hit the ground running and is immersing herself in this new role. “Every day brings new surprises and a renewed sense of wonder. I could be walking through the halls and hear the Philippine Philharmonic Orchestra practicing, a reminder of the incredible talent that surrounds me,” she muses. “There’s always something new to learn, whether it’s about our rich art history, a budding artist, or a fresh perspective on a familiar work.”
She is keen on promoting a meaningful dialogue about the arts, positing how essential they are in our modern world. “Art invites us to slow down, think critically, and connect with our emotions and the human experience. It’s a window into different perspectives, encouraging us to question and explore,” she declares.
She elucidates that given how society is now inundated with information, the CCP’s role has evolved and now includes helping the public develop a more nuanced understanding of the arts. “By showcasing a diverse range of productions under one roof, we can spark curiosity, encourage critical thinking, and foster a deeper appreciation for the transformative power of Filipino creativity.”
Accessibility is yet another cornerstone of her leadership mantra, as evidenced by various programs and performances designed to appeal to a wider, and even younger audience. “We’re committed to bringing the arts directly to the people, expanding our outreach programs, and utilizing technology, with our digital archives, to make our offerings accessible to all,” she says.
Of course, while on the topic of young talent, there is the CCP Young Scholars program, which is their way of “investing in the future of Filipino artistry.” Through the support of the CCP, young scholars are better able to reach their full potential, thus empowering the next generation of creatives.
Fashion For A Cause
The businesswoman and philanthropist has of course long been a supporter of creative souls, particularly those in the realm of fashion. As the cofounder of the Red Charity Gala, she has spent more than a decade staging memorable fashion shows for the benefit of deserving causes like the Philippine Red Cross. Along with her partner, and fellow Lifestyle Asia cover star Tessa Prieto, they highlight a noteworthy couturier each year. “We get to provide a major platform for a deserving Filipino designer, giving them as much support as they need so they can focus and create a meaningful collection,” she shares.
For this year, the show will revolve around the work of Lulu Tan Gan, who is incidentally the first female designer to join their roster. “We are very excited to have Lulu as our featured designer this year. It is important that we showcase the range of Filipino diversity and creativity, designers from different provinces across the Philippines, including our OFW designers,” she declares.
Slated for the 22nd of October at Shangri-La The Fort, the Red Charity Gala is one of the country’s most anticipated fashion events, bringing together art patrons, fashion lovers, and illustrious members of the country’s bon ton. Designers featured in the past include such names as Michael Cinco, Jojie Lloren, Rajo Laurel, Cary Santiago, Erza Santos, Ivarluski Aseron, and more.
With regards to Lulu’s collection, Kaye herself is waiting in anticipation. “We sometimes get glimpses of pieces, some sketches, but like everybody else, we don’t usually see the full collection until the day of the event itself.” An industry stalwart, Lulu is a master of knitwear with an affinity for indigenous fabrics like piña. Her contemporary and playful interpretations of Filipiniana have likewise been a source of delight for the sartorially inclined.
Style And Substance
Another avenue where Kaye will be using her position to champion fashion talent is through Ternocon. A joint project between the CCP and Bench, it is an endeavor that “promotes and preserves the traditional Filipino costume through its convention, contest, and various other activities,” according to Kaye.
Established as a way to popularize the Philippine dress, it culminates in a fashion competition which fetes a designer who is able to merge innovation and tradition as articulated through a collection.
“Of course, there is always more that can be done, and I am excited for the CCP to explore opportunities to incorporate fashion into our programs,” declares Kaye of the many exciting possibilities. “What I love about fashion is how accessible an art it is because it is wearable. We can explore fashion having a larger role in our theater productions, as uniforms of the PPO (Philippine Philharmonic Orchestra), or other resident companies, and more.”
As for herself, Kaye has always exuded an air of grace and sophistication with her ensembles. “I think as I got older, like most, I became more confident in my personal style. I find it difficult to describe, it is simply what I wear, what I feel comfortable and confident in,” she reveals. Often seen in modern and streamlined silhouettes, accented with thoughtful detailing, she is a masterclass in timeless elegance. She reveals that she has a lot of favorite designers, but the late Pepito Albert has a special place in her heart. The tastemaker’s collection of his work is extensive, even modeling some of these precious bespoke ensembles to the cover shoot.
Culturally Chic
Her eye for design extends to her work, having cofounded luxury home and lifestyle store W/17. With her partner Andres Vázquez-Prada, they have built a wonderland of a boutique featuring bespoke furniture, gorgeous antiques, and even works of art. “My partner Andy, and I, love the opportunity to discover unique and beautiful objects, brands, and stories and share them with people. Each piece is something that either of us would love to have in our own home,” she shares of their hands-on and personal touch.
Aside from curating an elegant array of brands from East and West, W/17 is also a haven for Filipino design with pieces sourced from various local artisans all around the country. “Everything has a unique story, even in how we come to find the artists,” says Kaye, sharing that it could be pure happenstance or word-of-mouth that leads them to their discoveries. “It is extremely gratifying to be able to promote Filipino craftsmanship through our store, and importantly, provide these artisans with a livelihood opportunity by selling their work.”
Indeed, it is with public support that artists and artisans can fully thrive and manifest their full potential. “Supporting the arts takes a village! We can all play a part by attending shows, visiting galleries, and buying art from local creators,” says Kaye.
All In The Family
Like most modern women engaged in multiple roles, Kaye has made it into an art form, although an admittedly challenging one at times. “I think it is important to admit that [the] balancing act is extremely difficult to achieve,” she discloses. That said, she credits her children and her supportive husband as being integral to the success of her many endeavors. “Most of my children are old enough that they are pretty much independent, and they can even take care of each other if need be. They, along with my husband, are also very supportive with my work, and will always offer to help out where they can.”
Most days, the mom-of-four wakes up early to have breakfast with her family and tries to fit in a bit of exercise before heading to the CCP complex. Each day is different though, with meetings and performances filling up her calendar. “I am also lucky that my children are quite interested in arts and culture, so when I bring up my work with them, or ask them to accompany me to activities and events, they genuinely enjoy it and I am able to spend time with them while also attending to work,” she says.
Kaye is of course married to Freddie Tinga, who she considers her biggest cheerleader, supporter and adviser. “I’m very lucky to be married to a man whom I not only love, but admire,” she says. Formerly the mayor and then the congressman of Taguig, Freddie is now president of GET Philippines (Global Electric Transport), among other endeavors. The electric mobility solutions provider aims to revolutionize transportation in the Philippines, and is likewise also where their eldest daughter Kylie works.
The Next Generation
Family values are important to the Tingas, and Kaye is proud of all her children. Her eldest is Kylie, who is 29, followed by Kerry, 26. Like their mother, both are equally fashionable and stunning, and graced the cover of Lifestyle Asia last August. Kylie graduated with a degree in Urban Studies, and a Masters in Transport and City Planning from the University College of London, as she works with her dad at GET Philippines. Kerry, on the other hand, also graduated from the University College of London with a degree in LLB Law, and works in Manila at another firm.
The Tingas also have two wonderful sons. Kody, who is 21, is a senior at the University of Chicago. Meanwhile, their youngest Kristian, 17, is currently a senior in high school.
As a family, they enjoy having meals together, usually on the weekends away from school and work. During the week, they communicate regularly in their family group chat, touching base with everything from interesting articles to funny things they see online.
When asked who Kaye admires the most, she asks, “Is it odd for a parent to say they admire their children? Because I do.” From a woman so accomplished and admired, such a sentiment is truly so endearing. “All of them teach me something new most every day. This is a generation that has access to information and content on a scale never seen before, and how they have adapted to that accessibility of knowledge, their discernment in what they read and consume is amazing.”
Leading The Way
Through her storied career, Kaye has worn many hats. A former banker, turned political spouse and philanthropist, then social entrepreneur and now also an advocate for the arts through her presidency at the CCP. Despite her considerable influence, she chooses to view power as respect earned, and not authority enforced. “It’s about inspiring others through your actions, values, and the positive impact you have on the world around you. True power lies in lifting others up, empowering them to achieve their own greatness, and creating a legacy of positive change,” she shares.
As a leader she believes the best way to improve the lives of others is by truly listening to them and supporting them. “Meaningful and lasting transformation has to come from within, and our role is to create a nurturing environment where that inner growth can flourish,” she says. “It’s about fostering a sense of self-belief and providing the tools and resources needed for individuals to chart their own path towards a better future.”
The Future Is Bright
Creating a culture of empowerment, service, and charity is what Kaye sees as her ultimate legacy. “I would like to think my life’s purpose, all of our lives’ purposes, is to help each other out, make each other’s lives a bit better, and make the world we live in just a little better during the time we have here,” declares Kaye.
Thankfully, with more people patronizing Filipino arts and culture, and trailblazing women like Kaye taking charge, the future can be even brighter for the creative industry. This is most especially true for the next generation. “We need to provide them with resources, guidance and opportunities to shine, so they can confidently carry the torch of Filipino creativity into the future.”
Text MARIANE PEREZ
Photos ARTU NEPOMUCENO
Sittings Editor CANDY DIZON
Creative Director PAOLO TORIO
Hair and Makeup HENRI CALAYAG
Retouching CATS DEL ROSARIO
Stylist ROKO ARCEO
Shoot Coordination MAE TALAID
Shot on location at the Tanghalang Ignacio Gimenez (Black Box Theater).
